Univ.-Prof. Dr. Hilary Duffield (former name: Dannenberg)
Anglistik, Universität Trier
- 0651/2012301
- 0651/2013928
Dannenberg, Hilary
"Gerald Prince and the Fascination of What Doesn't Happen"Narrative. Bd. 22. H. 3. 2014 S. 304 - 311
Dannenberg, Hilary
"Counter-Narratives of Empire: Revisioning History in Contemporary British Television"Port, Ulrich; Przybilski, Martin (Hrsg). Orts-Wechsel: Reale, imaginierte und virtuelle Wissensräume. Wiesbaden: Reichert 2013 S. 135 - 149
Dannenberg, Hilary
"Fleshing out the Blend: The Representation of Counterfactuals in Alternate History in Print, Film, and Television Narratives"Schneider, Ralf; Hartner, Marcus (Hrsg). Blending and the Study of Narrative: Approaches and Applications. Narratologia: Contributions to Narrative Theory, Vol. 34. Aufl. Berlin/Boston: De Gruyter 2012 S. 121 - 145
Dannenberg, Hilary
"Narrating the Postcolonial Metropolis in Anglophone African Fiction: Chris Abani's GraceLand and Phaswane Mpe's Welcome to Our Hillbrow"Journal of Postcolonial Writing. Bd. 48. H. 1. 2012 S. 39 - 50
Dannenberg, Hilary
"Narrating Multiculturalism in British Media: Voice and Cultural Identity in Television Documentary and Comedy"Aldama, Frederick Luis (Hrsg). Analyzing World Fiction: New Horizons in Narrative Theory. Austin: University of Texas Press 2011 S. 75 - 90
Dannenberg, Hilary
"Invasion Narratives and the Cold War in the 1950s American Science-Fiction Film"Starck, Kathleen (Hrsg). Between Fear and Freedom: Cultural Representations of the Cold War. .Newcastle upon Tyne: :Cambridge Scholars 2010 S. 39 - 52
Dannenberg, Hilary
"Culture and Nature in The Heart of Redness"Bell, David; Jacobs, Johan (Hrsg). Ways of Writing: Critical Essays on Zakes Mda. Scottsville: University of KwaZulu-Natal Press 2009 S. 169 - 190
Dannenberg, Hilary
"Sharing Media Spaces: The Kumars at No. 42"Barthet, Stella Borg (Hrsg). Shared Waters: Soundings in Postcolonial Literatures. Amsterdam/New York: Rodopi 2009 S. 279 - 288
Dannenberg, Hilary
"The Many Voices of Things Fall Apart"Interventions: International Journal of Postcolonial Studies. Bd. 11. H. 2. 2009 S. 176 - 179
Dannenberg, Hilary
"Nadine Gordimer's The Pickup and the Desert Romance Tradition in Post/Colonial Anglophone Fiction"Current Writing. Bd. 20. H. 1. 2008 S. 69 - 88
Dannenberg, Hilary
Coincidence and Counterfactuality: Plotting Time and Space in Narrative FictionLincoln: University of Nebraska Press 2008 (Frontiers of Narrative)
Dannenberg, Hilary
"Interpreting the Aliens: Representations of American Society in Science-Fiction Movies of the 1950s"Fallon, Ann Marie; Hurm, Gerd (Hrsg). Rebels without a Cause? Renegotiating the American 1950s. Bern: Lang 2007 S. 205 - 223
Dannenberg, Hilary
"The Ironies of Coincidence in Narrative Fiction"Honegger, Thomas; Orth, Eva-Maria; Schwabe, Sandra (Hrsg). Irony Revisited: Spurensuche in der englischsprachigen Literatur. Festschrift für Wolfgang G. Müller. Würzburg: Königshausen & Neumann 2007 S. 83 - 97
Dannenberg, Hilary
"Windows, Doorways and Portals in Narrative Fiction and Media"Schenkel, Elmar; Welz, Stefan (Hrsg). Magical Objects: Things and Beyond. Berlin: Galda & Wilch 2007 S. 181 - 198
Dannenberg, Hilary
"Crossing Borders in the Sand: The Desert and the Post/Colonial Romance in Anglophone Fiction"Forging the Local and the Global. Stellenbosch: Stellenbosch University/African Sun Media 2006 S. 53 - 61
Dannenberg, Hilary
"Hybrid Genres and Crosscultural Dialogues in Contemporary British Television Comedy: The Kumars at No 42 and Ali G"Kamm, Jürgen (Hrsg). Medialised Britain. Passau: Karl Stutz 2006 S. 185 - 200
Dannenberg, Hilary
"Counterfactual History"Herman, David; Jahn, Manfred; Ryan, Marie-Laure Ryan (Hrsg). The Routledge Encyclopedia of Narrative Theory. London: Routledge 2005 S. 86
Dannenberg, Hilary
"Ontological Plotting: Narrative as a Multiplicity of Temporal Dimensions"Pier, John (Hrsg). The Dynamics of Narrative Form. Berlin: de Gruyter 2005 S. 159 - 189
Dannenberg, Hilary
"A Poetics of Coincidence in Narrative Fiction"Poetics Today. Bd. 25. H. 3. 2004 S. 399 - 436
Dannenberg, Hilary
"Die Konstruktion alternativer Identitäten durch die Rekonstruktion der Vergangenheit in den populären amerikanischen Spielfilmgattungen Fantasy und Science Fiction"Schäffauer Markus Klaus; Michael, Joachim (Hrsg). Massenmedien und Alterität. Frankfurt: Vervuert 2004 S. 211 - 228
Dannenberg, Hilary
"Marketing the British Situation Comedy: The Success of the BBC Brand on the British and Global Comedy Markets"Journal for the Study of British Cultures. Bd. 10. H. 2. 2004 S. 169 - 181
Dannenberg, Hilary
"Representing British Politics, Media and Class in the early 1990s: David Hare’s play The Absence of War and the television drama House of Cards"ZAA (Zeitschrift für Anglistik und Amerikanistik). Bd. 51. H. 3. 2003 S. 296 - 312
Dannenberg, Hilary
"The Coincidence Plot in Narrative Fiction"Mengel, Ewald; Schmid, Hans-Jörg; Steppat, Michael (Hrsg). Anglistentag 2002 Bayreuth: Proceedings. Trier: WVT 2003 S. 509 - 520
Dannenberg, Hilary
"Edle Wilde im Roman der britischen Kolonialzeit und ihre intergalaktischen Pendants in der Science Fiction des 20. Jahrhunderts: Aphra Behns Oroonoko, Daniel Defoes Robinson Crusoe und Ursula K. Le Guins The Left Hand of Darkness"Fludernik, Monika; Haslinger, Peter; Kaufmann, Stefan (Hrsg). Der Alteritätsdiskurs des Edlen Wilden: Exotismus, Anthropologie und Zivilisationskritik am Beispiel eines europäischen Topos. Würzburg: Ergon 2002 S. 193 - 213
Dannenberg, Hilary
"Die Dreidimensionalisierung des erzählten Raumes in Büchners Lenz"Dedner, Burghard; Mayer, Thomas Michael (Hrsg). Georg Büchner Jahrbuch 9 (1995-99). Tübingen: Niemeyer 2000 S. 263 - 280