Starck, Kathleen
Between Fear and Freedom. Cultural Representations of the Cold War1. Aufl. Newcastle upon Tyne: Cambridge Scholars Publishing 2010 0 S.
Starck, Kathleen
Improvising Narrative – Introducing Improvisation TheatreTönnies, Merle; Flotmann, Christina (Hrsg). Contemporary Drama in English: Narrative in Drama. Bd. June 2010. Paderborn. 2010
Starck, Kathleen
The Cold Warrior in British and American Films of the Early Cold Warpresented at “Transnational Masculinities”. Bd. July 2010. Dresden. 2010
Starck, Kathleen
The Good, the Bad, and the Stupid – Enemy Masculinities in the Cold War Film The Manchurian CandidateUniveristät Bremen (Hrsg). presented at “Feindbildkonstruktionen im Kalten Krieg - Interdisziplinäre Perspektiven auf eine brisante zeithistorische Phase”. Bd. February 2010. Bremen. 2010
Starck, Kathleen
“‘The Black Super-Stud. On the Loose. After Our Women.’ Black Masculinity in Birth of a Nation and Native Son.”Ina Bergmann & Jochen Achilles (Hrsg). Representations of Evil. Trier: WVT 2009 S. 183 - 195 (Anglistik - Amerikanistik - Anglophonie ; Bd. 11)
Starck, Kathleen
“I Won’t Disobey that Unwritten Code of Manhood” – Masculinities in Popular Culture: American Beauty, About a Boy and Men’s Health Magazine.”Anton Kirchhofer & Jutta Schwarzkopf (Hrsg). The Workings of the Anglosphere. Contributions to the Study of British and US-American Cultures, presented to Richard Stinshoff. Trier: WVT 2009 S. 95 - 107
Starck, Kathleen
“Post East-West? – An Introduction.”Starck, Kathleen (Hrsg). When the World Turned Upside-Down. Cultural Representations of Post-1989 Eastern Europe. Newcastle upon Tyne: Cambridge Scholars Publishing 2009 S. 1 - 10
Starck, Kathleen
In Love with the Other: Russian-American Romantic Relationships in Early Cold War Films Icon help Titel des mehrbändigen Werkespresented at the Annual Aleksanteri Conference (“Cold War Interactions Reconsidered”). Bd. October 2009. Helsinki. 2009
Starck, Kathleen
When the World Turne Upside-Down: Cultural Representations of Post-1989 Eastern EuropeNewcastle upon Tyne: Cambridge Scholars Publishing 2009 135 S.
Starck, Kathleen
“Much Ado About Nothing? The Production of Cultural Meaning and the Case of Rachel Corrie.”Stierstorfer, Klaus (Hrsg). Proceedings Anglistentag 2007. Trier: WVT 2008 S. 125 - 131
Starck, Kathleen
Nationhood and Masculinity in Birth of a Nationpresented the Annual American Men's Studies Association Conference (“Masculinities and Institutions: Mapping the Connections”). Wake Forest University, Winston-Salem, NC. 2008
Starck, Kathleen
The End of Multiculturalism in Neil Biswas’ Bradford Riotspresented at the Annual ESSE Conference. Aarhus, Denmark. 2008
Starck, Kathleen
The Religious Turn in Cold War Films: The Prisonerpresented at the Annual Conference of the German Association for the Study of British Culture (“Post-Secular Britain?”). Oldenburg. 2008
Starck, Kathleen
“'From a Land of Hot Rain and Hurricanes' - Polly Teale's Stage Adaptation of Jane Eyre.”Rubrik, Margarete; Mettinger-Schartmann, Elke (Hrsg). A Breath of Fresh Eyre. Intertextual and Intermedial Reworkings of Jane Eyre. Amsterdam: Ropdopi 2007 S. 363 - 374
Starck, Kathleen
“Fratriarchy.”Flood, Michael et al. (Hrsg). The Routledge International Encyclopedia of Men and Masculinities. London: Routledge 2007 0 S.
Starck, Kathleen
“Soap, Sexual Identity, and Midlife Crisis – Lesbian Drama Between Essentialism and Gender Trouble.”Godiwala, Dimple (Hrsg). Alternatives Within the Mainstream II: Queer Theatres in Post-War Britain. Cambridge: Cambridge Scholars Publishing 2007 S. 219 - 238
Starck, Kathleen
“Someone Who Would Get my Jokes – Kulturelle Identitäten in Meera Syals Life isn't all Ha ha Hee hee.”Cecile Sandten/Martina Schrader-Kniffki/Kathleen Starck (Hrsg). Transkulturelle Begegnungen. Trier: WVT 2007 S. 173 - 188 (INPUTS ; Bd. 2)
Starck, Kathleen
“Up against a Brick Wall? – Understanding the Ritual Qualities of Northern Irish Murals.” Rhetoric and Representation. The British at War.anglistik & englischunterricht. Bd. 70. 2007 S. 181 - 202
Starck, Kathleen; Sandten, Cecile; Schrader-Kniffki, Martina
Transkulturelle BegegnungenTrier: WVT 2007 282 S. (INPUTS ; Bd. 2)
Starck, Kathleen
“'They Call me an Asian Writer as well' – Tanika Gupta's Sanctuary, Skeleton and Inside Out.”Dimple Godiwala (Hrsg). Alternatives Within the Mainstream: British Black and Asian Theatre. Newcastle: Cambridge Scholars Publishing 2006 S. 348 - 363
Starck, Kathleen
“Black and Female is Some of Who I am and I Want to Explore it: Black British Women Playwrights of the 1980s and 1990s.”Studies in Theatre and Performance. Bd. 26. H. 1. 2006 S. 49 - 67
Starck, Kathleen
“Current Global Conflict and the Invasion of the Private in The Pull of Negative Gravity and When the Bulbul Stopped Singing.”Mark Schreiber & Thomas Rommel (Hrsg). CDE Studies. Trier: WVT 2006 S. 61 - 72
Starck, Kathleen
‘I Believe in the Power of Theatre.’ British Women's Drama of the 1980s and 1990s. CDE StudiesTrier: WVT 2005 269 S. (CDE studies ; Bd. 12)
Starck, Kathleen; Schlote, Christiane
“From Displacement to Arrival: Reflections on Exile and Diaspora in the Theatre.”Bernhard Reitz (Hrsg). CDE Studies. Trier: WVT 2005 S. 25 - 52 (Contemporary Drama in English Studies)
Starck, Kathleen
Jackie Kay: Life MaskWasafiri. Bd. 2005. H. 46. Abingdon: Routledge 2005 S. 81 - 82